00:00
00:00
Spadezer

394 Audio Reviews

226 w/ Responses

Pretty decent start. It has decent flow and has a nice atmosphere. The bass reminds me of classic dubstep. The cymbal hits sound like they come in too earlier, but the mixing of everything isn't too rough either. It's a decent concept overall.

This is an official NGADM '19 Review

Composition:
I've really enjoyed every work you've made this contest, and this one is no exception. One thing I love about this contest is when people take risks like singing for the first time. You did a great with the lyrics. In terms of composition, the only thing I don't really like about the voice is that a lot of phrases you fall at the end of them instead of ending the notes. Otherwise this song felt very powerful. You created a large space that felt very inspiring and it actually supported your voice pretty well.

Production and Sound Design:
The drums were great. Especially right at 3:00. The strings maybe felt like they were a little too far in the background, but the vocal was very nice and centered where it needed to be. As for the vocals, your voice works great. Good singing voice and I think it paid off well. However, for this style you need to open up the palate to make it sound like more of an open and supported voice for this. Otherwise you could hold a tune pretty well and don't really need vibrato to avoid it sounding like it's strained. I'm not sure if I like the delay that was on it, but it felt pretty decently processed. However, past this point I think it would be best to get feedback from Jacob. He's a lot more knowledgeable about vocals than I am. Aside from that, for the most part it sounds like a finished product. Maybe a little tweaking to make it sound fantastic, but even at this point nothing stops me from enjoying this a lot.

Structure:
Yeah! I really like how it progressed. Great use of energy dynamics. 2:07 is a really great moment, and the way it drops to build back up again is a really good transition. Man was I jamming out with you at 3:16. Really cool moments. It maybe felt like it was a little repetitive near the end, but it's only maybe ever so slightly; even to the point that I think it might be based on taste.

Emotion / Conclusion:
Really cool work. Like I've said I've really enjoyed each one you've made, and the risk you took in this one I think will really pay off.

Composition: 9

Production: 8

Sound Design: 9

Structure: 9

Emotion: 9.5

CloakedSoup responds:

Thank you! The vocals definitely could have used more work; I'm used to singing with a classical kind of sound, and I've never done any kind of 'popular' singing before, so this was definitely an experiment for me. Maybe a different approach would be useful if I have more time to try out different kinds of sound for each section, but for now, it is what it is. I've been thinking of writing something that was more suited to the 'classical' kind of style of singing to show what I'm used to actually doing too.

This is an official NGADM '19 Review

Composition:
Holy crap that humanization. I felt like my heart was getting ripped out of my chest for the first 2 minutes. I don't know what instrument / synth you're using but it hurts so good lol. Your composition creates a lot of imagery too. Just to use an analogy, it felt like a deep and mystic take on something like the lost woods from Zelda OOT. The song never felt too empty anywhere, and everything was carefully placed to add to the main theme.

Production and Sound Design:
This definitely sounds like a finished product. I can easily hear this in a video game or soundtrack setting. The only complaint is that at times the lead instrument feels like a little bit too much, but some of that might be taste, so it's not a big complaint. One small issue I do have is at 2:58, there's too much reverb going on and the mid-low area is getting muddy with what I believe is some brass showing up there. Pretty good otherwise.

Structure:
Simply great. Very coherent main theme, and easy to get caught up in. And then once it started picking up around the 1:40 with the driving synths in the back, it never felt trying too dull. And it kept growing too. I really like how you built the climax for the 3:00 area. You also did a great job with the outro too.

Emotion / Conclusion:
This is the most emotional this piece this round by a long shot. You really captured a lot of feeling and told a intensely heart-moving story through it. Beautiful work

Composition: 9

Production: 9

Sound Design: 9.5

Structure: 9.5

Emotion: 10

Baumarius responds:

Thank's for the review! I'm very glad that you were able to enjoy it! I had unfortunately succumbed to ear fatigue while finishing up the song, and couldn't hear the issues that remained or even tell if the song was any good at that point. I'll definitely work more on the expression and mixing of the duduk (the flute) after the competition is over, as well as the issues with the reverb and brass. Hopefully I'll have the opportunity to record the duduk live for this too, if I manage to place third!

This is an official NGADM '19 Review

Composition:
I enjoy dnb a bit, and this fits the bill pretty well. You developed the main theme in ways that always made it feel fresh throughout the whole song, and never felt that it was repeated too much (which some dnb artists have issues with for my tastes). Looking back at the title of the song it really fit that description too. I can feel what you were putting into the song, and made a nice narrative, which is also kinda neat since dnb is mostly based on a groove instead of telling a narrative. Props for that. The only issue I really had is that I really wanted the 1:58 section to sound more full and well rounded similar to like what happened in 2:20 ish. I tell you what though. The more I repeated this song the more I loved it.

Production and Sound Design:
Very clean work. Everything you picked balanced well with every other element you had, and there's some decent details you added in, like the panning in the chords at 1:17, the plucked synths in the sides around 1:37, it all sounded professional and polished. Especially the drums. My only complaint is that maybe it's a little too dry in spots. This is also a nice work of combining electric and organic elements like the square(?) wave with drums and strings in the back. Pretty neat.

Structure:
Great work especially in how you built it. Like I said in the composition, it's really cool that you were able to tell more of a narrative with a dnb song instead of finding a good groove and developing it. With the title I can really feel the emotions you were adding into the writing, and I really felt it at the outro. In spite of the fact that it's a fade out, the fade out actually works well with what you're doing. I usually see fade outs as lazy writing or a cop-out (see my last NGUAC song), but this was a well intentioned use that fit. I could also put your song on repeat and enjoy it just as much each time BTW.

Emotion / Conclusion:
Well done. It had me hooked in the intro and carried through the song on a groovy chill ride that I never got tired of repeating.

Composition: 9

Production: 9

Sound Design: 8.5

Structure: 9.5

Emotion: 9

vocaloutburst responds:

As always, thanks so much for your reviews!!! That's super interesting that you took the title of the track and used that as a way to interpret the piece, I really love that!! Happy to hear you enjoyed it and REALLY happy to hear that the production sounded professional and polished, I really wanted to try to improve upon that throughout the contest!!!

This is an official NGADM '19 Review

Composition:
This piece felt intricate and masterful in terms of your playing and compositional ability. Listening to the song I could imagine a type of triumphant and joyful scene from a musical. It feels grand and celebratory mostly. The runs are well played and it feels also like a modern style of piano music.

Production and Sound Design:
I don’t have much to say about this. It's a solo piano, and it's sounded the same as your other piano pieces.

Structure:
Good use of energy dynamics. I also like the contrast of styles especially in the first 2 minutes. The first 40 seconds are really technical and even, and well contrasted by the swung and polyrhythmic section that followed. Then what you have as the most contrasting section of the whole piece between 1:00 and 2:11, which has a lot of emotion backed into it. Afterwards though I didn't feel like there was as much contrast or energy dynamics.

Emotion / Conclusion:
After listening to it a few times, what I kept feeling was that the song felt a little more on being technical than it is emotional. At the end of the song, what I take away from it was some well played runs more so than a theme I could latch on to. I still enjoyed it, and I could still pick out parts here and there that felt really genuine. You still did well on conveying the intended emotion, but it may have been lost a little bit

Composition: 9.5

Production: 8.5

Sound Design: 9

Structure: 8.5

Emotion: 8

LucidShadowDreamer responds:

Thank you for the review!

I tried to put together everything I've learned from composing for this year's NGADM in this piece, without forcing anything of course. I'm glad that the 'triumphant' sound came through. I often write melancholic pieces. This time, I wanted to challenge myself to write something mostly positive. Perhaps this is why you felt it was less emotional overall, since it plays on very different emotions. For me, personally, I'm quite happy with the atmosphere.
The intro was a little bit inspired by some of the techniques used in Liszt's "La Campanella".

As for the production, I actually spent many hours trying to get the right sound for this piece. I used a piano I don't think I've used previously this year, and was a bit obsessed with getting the sound like I wanted it. I'm afraid that maybe I overproduced it a little bit though! I'll have to think about how to best achieve a good sound for solo piano pieces.

You're right in that I wanted to contrast some of the faster sections of the composition, with the slower parts after the one minute mark. I feel that it's the parts like that one that really 'make' the piece, since they provide a well needed break from everything that's going on. I tried to do something similar at 2:57 and a few other later points, but maybe I should've taken a slightly longer rest in those parts.

While I agree that there are many technical elements of the song, personally I feel like that was in an attempt to portray emotions and an atmosphere that I couldn't otherwise get across. But I understand how it can also feel like a bit much, and that maybe more focus should be put on clearer melodies. I like trying out different approaches though :)

Thank you for listening, and for diligently judging throughout the competition!

This is an official NGADM '19 Review

Composition:
Personally between you and LSD this round, you guys have had the more emotional writing. Compositionally this piece was really solid. Everything you did with how you controlled the main theme, and every other detail you added, really helped sell the atmosphere to the song. On top of that it did not feel like a cliché trailer piece IMO.

Production and Sound Design:
The balancing could be a little better I think, and particularly at the climax. It didn't feel solid and well rounded (and I think I notice some over compression happening too). And the earlier sections feel like they're too quiet. However, the sounds you picked and how you designed the reverse notes was really good. The first minute was purely delicious.

Structure:
I really liked the "flow" of the song. There's a really good contrast between the energy you at the beginning, and then the climax really opens up and becomes huge. Really adds to the dynamics of the song and I thoroughly enjoyed it

Emotion / Conclusion:
Good work, I look forward to hearing more from you.

Composition: 9.5

Production: 8

Sound Design: 9

Structure: 9.5

Emotion: 9

CloakedSoup responds:

Hey thanks for the review! :D This is another on of my entries that was kind of rushed out, so I'm definitely going to go back to rewrite/re-mix a bunch of stuff. Thanks for all the great advice though!

This is an official NGADM '19 Review

Composition:
This does a really good job bringing on the right funk vibes. Everything just jives really well, and I really appreciate how you utilized the organ too. I like that you went for a big band approach, and I think it worked towards what you wanted to do. It wasn't necessarily apparent that the big band feel was there, but I like what you did

Production and Sound Design:
The mix didn't feel too solid. There were some aspects that you got right, like how you added in the organ, and I like whatever the lead is, but it's overall a bit too quiet. Also, like what SplatterDash mentioned, the Brass sounds like it's in a different space than what the rest of the instruments are in.

Structure:
Like I mentioned earlier in the composition, it was a little unclear the direction you were kinda going, but what felt the weakest is that it was a similar energy dynamic throughout the whole song. However, it didn't keep me from enjoying the song a bit so it wasn't too bad.

Emotion / Conclusion:
I have a heart for funk style and jazz in general and I think you pulled it off pretty well. It felt as if there was some left to be desired, but I enjoyed it a bit

Composition: 9

Production: 8

Sound Design: 9

Structure: 8

Emotion: 8

vocaloutburst responds:

Again big thanks for these reviews!! I definitely felt like the mixing for this track wasn't what I wanted it to be at all. This track was honestly a great lesson in time management, I focused too much of my time on a few aspects of the song that ultimately didn't pay off and sacrificed time to create a good mix in the process. Happy to hear you still enjoyed it, definitely will touch this up in the future!

This is an official NGADM '19 Review

Composition:
I'm not sure what needs to be said about this. There is no doubt the theme you were trying to create with this. I could probably guess what the topic was about without knowing of the description or the title. It's something that I could definitely place as your type of song, but it still felt fresh. All the work you've done with the main theme\motif is always present in each phrase, and so much of it worked towards bringing across the emotions you needed in the song.

Production and Sound Design:
The reversed notes are fantastic. It's also not just that you had reverse notes to make it unsettled, but you did a great job of blending them within the melody. To the point, even, that sometimes you can't tell when the actual notes end and the reverse notes took over the melody. I wouldn't have expected you to use sound fx in your music, but it also largely added to the imagery of the piece, and I never felt that it was a cheap attempt either.

Structure:
I bit of a longer one, but it was worth it. It was 8 minutes but it felt like 4. I really enjoyed how each section had a different variation of the same phrase, and each time it was well accepted.

Emotion / Conclusion:
Holy biscuits batman. This was probably one of the more emotional ones that you have made IMO. I welcomed it in, and left away with more than what I wanted.

Composition: 10

Production: 9

Sound Design: 9.5

Structure: 10

Emotion: 10

LucidShadowDreamer responds:

Thank you for the review, and sorry for the late response!

It's nice to see that you feel like I was able to communicate the theme through this piece. You're probably right that there are some elements in this composition that are somewhat characteristic of my style. Even so, when I was composing, it also felt very different from anything I had made before. I suppose that is a good balance! I'm glad to hear that the recurrence of the different mofits is appreciated. In my opinion, the structure of this piece is really well thought out, as I had to justify the length by having every second and minute make sense as a part of the whole piece.

Seems like most people liked the reversed notes, which is good. It was fun to see that I wasn't the only person to make use of them during this round in particular. I used two different methods for reversing the notes; one simpler, one much more intricate. For the simpler version, I layered NIs Una Corda on top of the main piano, and played around with the "reverse" knob. For the more complicated version, I used an algorithm in Cubase to reverse the entire finished MIDI, exported the audio, imported it, and reversed the audio, and then moved it a little bit earlier than the actual piano sound, to create a kind of wave motion. Naturally, I didn't have this running the whole time; only where it fit the composition and the theme.

As for sound fx, it is something I don't often make use of indeed. But I felt it necessary and additive for this piece in particular. I'm glad you feel similarly!

Finally, I'm once again glad that the length wasn't an issue, and that the emotions were able to shine through. Thank you for the thorough review, and for the generous score!!

This is an official NGADM '19 Review

Composition:
Lol, it sounds like at 0:11 I'm booting up with an HMD Odyssey. The intro is very floaty and light in a welcoming fashion. I really like the different route you took. More of a narrative in the first half which is pretty unique for this contest. You've put a lot of thoughts into the words, and they feel completely naturally and nothing is forced. Hey cool, I just noticed that the pencil is actually erasing at 1:07, nice details. 1:40 also has a very unique rhythm (although I probably wouldn't have noticed it too much if LunacyEcho didn't point it out lol). I don't know if I quite agree with the last section being so chord based, but it still worked with the feel of the rest of the song.

Production and Sound Design:
Really great stuff. Your voice is really well produced, but it also fits the feel very well. Honestly, really good vocal work. You picked just the right instruments and percussion for the middle section. So well thought out. However, the third section I think is the weakest in the song. I get what you're doing, but I think it needs to be a little bigger and louder. Mostly the louder part. It feels like it's supposed to be really climatic, but the volume dynamics being quieter than the section just before makes the listener feel conflicted if this is actually supposed to feel climactic or a hushed and building ending. If it's meant to feel confusing, it's a neat idea, but maybe could have been more defined. I also feel like it's a bit too dry. I like the cutoffs that drop to nothing, but it just seems a little too awkward I think. The last section probably took up the most, but only because compared to how close to perfect the other sections were I was a little dissapointed. It did not ruin the song at all though.

Structure:
It almost feels too short with the second and third sections, and not to slam the third section too much, but the ending feels disjointed a little from the rest of the song. However! I really enjoyed how this flowed together. I just noticed the reversing notes in the 1:13 section (nice touch) and for the most part everything feels like it's the same theme even though the first two sections have a really large contrast. The second section though was really greatly put together since it clearly references to the chaotic rhythm mentioned in the narrative. It's also why I can understand what you're doing with the third section. While it feels a little alien, it heavily articulates the narrative and conveys the right emotions that you were making in this piece. Like I can feel what you were trying to write.

Emotion / Conclusion:
This is definitely one of my favorites for this round. Really creative for a contest setting, and does a really good idea with the theme of the whole song. Everything from the title, to the narrative, the instruments selected, and how the structure is organized. Everything is really well thought out and works (for the most part) cohesively to the main idea, even to the point that I could just about feel the emotions driving the theme forward (why I rated emotion pretty high on this). Again, I don't exactly agree with how you did the third section, but I enjoyed every second of it.

Composition: 9

Production: 9

Sound Design: 9.5

Structure: 9

Emotion: 9.5

This is an official NGADM '19 Review

Composition:
The literal first five seconds made me think I was starting up Elite Dangerous, but then you brought in the flute and instantly transported me into exactly what you described. Knowing some of your background I shouldn't be surprised in what you can write, but what you've written works so strongly for imagery I think it's still impressive.

Production and Sound Design:
Honestly, if you gave me this song without me hearing it before, and then placed it next to a song that was actually recorded, I don't think I'd be able to tell which one was the real version. Aside from that, I also really enjoy how you used each section of instruments. You had the full sound giving across the big energy, but more impressively is what you've done for the subtle and delicate moments. The first minute I think was my favorite that showed how you controlled your sound.

Structure:
Great work in storytelling (again the imagery). A textbook case of what good song structure looks like in my opinion.

Emotion / Conclusion:
It felt like I was in modern remake of Indiana Jones. A great work in showcasing what you can do and appropriate for the scene you're designing.

Composition: 9

Production: 9

Sound Design: 10

Structure: 10

Emotion: 9

Do you like dubs? Do you like Wubs? I've got them in SPADES! Sprinkled in is some actual melodic content so you don't think I'm a hype junkie

Age 31, Male

Engineer

Michigan, USA

Joined on 1/15/11

Level:
11
Exp Points:
1,280 / 1,350
Exp Rank:
50,570
Vote Power:
5.34 votes
Audio Scouts
5
Rank:
Civilian
Global Rank:
> 100,000
Blams:
0
Saves:
1
B/P Bonus:
0%
Whistle:
Normal
Trophies:
10
Medals:
67
Supporter:
6y 8m 12d