Cool track. Since you wanted feedback on the mix, I'll be glad to focus on the mixing.
Overall the mixing is solid. I think I can hear what you mean about the kick. The volume and pitch is fine, it just needs to be focused more towards the lower frequency. It sounds a bit too much like a thwack and should be more of a thwump if you catch my drift. The way I've seen it explained in a Youtube video is that when you adjust the bass on the kick to be a little higher (above 100 Hz), it's more prominent and can be heard better in the mix. Then when you adjust it a bit lower (below 100 Hz) it's more felt than it's heard. In a big house setting it's those frequencies when you hear the kick that you can feel it in you chest as you're hearing it. Bottom line is I think some low frequencies need to be heard better from the kick (somewhere between the 60-90 Hz range).
The bass synth is good but it could use an accompanying sub. Leave the bass line as it is, just add a sub synth that's really subtle but can add a new dimension of bass to your track. The tricky part about that is making sure it's not trying to compete too much with the kick in the same frequencies. You don't want to overpower the kick and you don't want to wash out the bass with the kick either.
The only other complaint I have is the kick at 01:14. That particular rhythm when used over 3 measure messes with my head since the kick is so loud. The troubling part about this is that I can see exactly why you would do it, and I would have done it as well. But it's like my ears don't like adjusting to the volume of the kick, and then listen to everything else become not so compressed once the kick settles, and then back into the kick again. Just me being nitpicky though.
Now a few things that are awesome in this track since I've bashed you enough. It's a really cool piece. The themes your making a sweet to listen to and the melody is fun. Your arpeggioed synths are placed well and not overpowering or too quite. I really want to know what you're doing to get the alarm at 01:22. It's not the cutting in and out but I want that tone because it would be perfect for some of the stuff I do. I love the growl at 03:41. Oh look, a key change.
With the composition as it sits right now, I'd say this deserves an 8.7 out of 10.
Once you get past the mixing, I'd download this without a second though.
-Spadzer-